March 1, 2012
before the show
02/24/12 - Show #2
When we last heard from MUCH MUCH MORE they had received a surprise gig at a friend’s art show. Almost a month later, after grueling jam sessions which, if they had been nations, would have a main import of vodka and a main export of tears, MUCH MUCH MORE arrived upon the scene of the gallery of Nancy, whose knitted wares graced the walls and pedestals arranged about the room. They were diaphanous, pleasing to the eye, and accompanied by the workmanship of several other local artists.     The band played for nearly two hours, not one, recycling songs as they saw fit, doing full group pieces and solos. Among the songs in their playlist were:
Straight Outta Athens (Parody)Stalagmites and StalactitesPumped Up KicksUkulele Judgement RayMaster ExploderNineteenI Will Follow You Into the DarkPokemon Theme SongSay My NameSt. James InfirmaryNantesTransatlantiqueYou and IBaby Got BackI’m Yours
By the end, voices were ragged, ukuleles slightly more worn at the fret boards than they had been hours before. The patrons of the gallery seemed to enjoy the mellifluous music. Nancy suggested that the band print business cards so that more potential employers could find them.     In the end, MUCH MUCH MORE walked away with another gallery gig in April (arranged effortlessly by their talented groupie/manager, Heidi), and a sizable stack of cash in their pockets.     Needless to say, the afterparty that followed could only be described as Homeric, like a lengthy epic poem rich with meaning and beauty. Also intoxication.

before the show

02/24/12 - Show #2

When we last heard from MUCH MUCH MORE they had received a surprise gig at a friend’s art show. Almost a month later, after grueling jam sessions which, if they had been nations, would have a main import of vodka and a main export of tears, MUCH MUCH MORE arrived upon the scene of the gallery of Nancy, whose knitted wares graced the walls and pedestals arranged about the room. They were diaphanous, pleasing to the eye, and accompanied by the workmanship of several other local artists.
     The band played for nearly two hours, not one, recycling songs as they saw fit, doing full group pieces and solos. Among the songs in their playlist were:

Straight Outta Athens (Parody)
Stalagmites and Stalactites
Pumped Up Kicks
Ukulele Judgement Ray
Master Exploder
Nineteen
I Will Follow You Into the Dark
Pokemon Theme Song
Say My Name
St. James Infirmary
Nantes
Transatlantique
You and I
Baby Got Back
I’m Yours

By the end, voices were ragged, ukuleles slightly more worn at the fret boards than they had been hours before. The patrons of the gallery seemed to enjoy the mellifluous music. Nancy suggested that the band print business cards so that more potential employers could find them.
     In the end, MUCH MUCH MORE walked away with another gallery gig in April (arranged effortlessly by their talented groupie/manager, Heidi), and a sizable stack of cash in their pockets.
     Needless to say, the afterparty that followed could only be described as Homeric, like a lengthy epic poem rich with meaning and beauty. Also intoxication.

March 1, 2012
hossjaeger:

lpohlman:

Soon. SOON.

Knitters start to mumble, they wanna rumbleMix em and cook ‘em in a potluck socialGoin off on a motherhelper like that with a glue gun pointed at your craftsSo give it up smooth, ain’t no telling when I’m down for a jack moveHere’s a knitter rap, to keep you purlin’With a crime record like Martha StewartMy size 6 knitting needles are the toolDon’t make me teach a motherhelping fool
- Straight Outta Athens by Much Much More

hossjaeger:

lpohlman:

Soon. SOON.

Knitters start to mumble, they wanna rumble
Mix em and cook ‘em in a potluck social
Goin off on a motherhelper like that with a glue gun pointed at your crafts
So give it up smooth, ain’t no telling when I’m down for a jack move
Here’s a knitter rap, to keep you purlin’
With a crime record like Martha Stewart
My size 6 knitting needles are the tool
Don’t make me teach a motherhelping fool

- Straight Outta Athens by Much Much More

(Source: fuckyeahmoleskines)

February 6, 2012
02/06/12 - Jam Session #6

A brief practice session took place on this Sunday night, after the band was told of a possible gig later in that month. However, there was a heavy concern that the band would not have enough material for the show, which would require an hour of music.

The setlist from the previous show as played through, and the band set to thinking of new songs they could learn. To undertake this task, they would need to practice twice or even thrice a week. But it was decided. Any gig was a gig which should be attempted, for any gig would perhaps be the catalyst for yet more gigs, which would in turn beget more gigs, and so on and so forth.

February 6, 2012

02/02/12 - Show #1

[First half.] [Second half.]

MUCH MUCH MORE deputed at a Queer Variety Show, where Hoss was late to arrive. Tempers flared via textual message. The band was apprehensive, fretful, enlivened, intoxicated on life, and IMMENSELY PERTURBED! Would they WIN THE COMPETITION? Would the crowd ENJOY THEIR MUSIC? What if they royally FUCKED UP? What if, perhaps even more frightening, THEY GOT NOTICED?
     ”Stalagmites and Stalactites” proceeded with a rocky start. Chords were mis-taken. Tempos were miscalculated. Banjoleles fell out of tune like public figures out of favor, dashing themselves mixed-metaphorically against the mountainous musical ground. But the audience jeered not! Instead they cheered at every silly lyric, at every overwrought expression which crossed the countenances of the band!
     MUCH MUCH MORE went on to play “Pumped Up Kicks,” and therein the dulcet tones of their acoustical and wondrous sound truly emerged. After that, “Straight Outta Compton,” which engendered a great deal of laughter from the assemblage in the theater. 
     In the end, MUCH MUCH MORE won third place, and in this way came into possession of a $10 gift certificate to Jackie O’s and a poster of Gerard Butler lounging about with his shoes unwisely untied. But more importantly, a small fanbase with cult-like fervor was created, and in a few days, MUCH MUCH MORE would receive a proposition for another gig, one which might even furnish them payment with which they could supply their drug money fund.

February 2, 2012
02/01/12 - Emergency Jam Session #5

In the quickest rehearsal in the history of Much Much More, the band met for to run twice through their setlist for the variety show that would take place the next night. It was thus:

Stalagmites and Stalactites
Pumped Up Kicks
Straight Outta Compton

Was the band ready? Perhaps not. But it was as ready as it would ever be.
     WILL MUCH MUCH MORE WIN THE VARIETY SHOW?????!!?!! STAY TUNED FOR THE DRAMATIC CONCLUSION! 

February 2, 2012
01/28/12 - Jam Session #4

The band had planned to meet on the twenty-eighth, a Saturday rather than a Sunday, so that they might get drunk afterwards without keenly regretting it the next morning. However, the automagical hand of fate had other plans. Nature and the God of nature had decreed that the band would practice on Sundays, and the band could not err from the path of destiny.
     Barry was ill on Saturday, and though it stopped them from practicing, it did not stop them from partying all night long. While Nat was scampering about with her girlfriend, ghost stories were read in candlelight, and shitty animated movies from the 20th century were watched, drunkenly, and with great rejoicing.
     In the morning, a sumptuous family breakfast was served, which all the revelers took part in preparing. The table of the Great Hall-kitchenette-combo was laid end-to-end with cinnamon french toast, cinnamon eggs that were left over after the making of the cinnamon french toast, and some goopy hashbrowns (“mashbrowns”) which were surprisingly delicious. After a great deal of procrastination, the band got to work. For the first time they played through their upcoming set-list without faltering. But despite their arduous work, they were not nearly prepared enough for the variety show at which they would play on the following Thursday. They elected to have an EMERGENCY JAM SESSION on Wednesday night.
     Their obligations satisfied, they continued in their efforts to party. Beers were evenly distributed like so many Soviet provisions. Awkward personal questions were asked. Friendships were deepened. The night raged on, and by Monday morning, neither Hoss nor Barry had set foot outside the house of Nat. For this was the way that they partied: hard.

January 25, 2012
01/21/12 - Jam Session #3

This assembly of champions was brief but super affective, particularly in the vein of the two original songs which had begun to form. “STALAGMITES AND STALACTITES” (working title) was nearly finished as far as composition went. Ingenious backing vocals were improvised by Barry and Nat.
     Throughout the jam session, the band kept returning to “UKULELE JUDGEMENT RAY,” to sample lightly its chord structure, to revel in its vitriolic righteousness. As she ran out of reasons to blame her fellow band members and so judge them with the ray of judgement blazing from her ukulele, Hoss improvised some verses with which she would judge the individuals of their future crowd.

Hey youdude in the front row
You’re wearing a silly hat
Can the people behind you even see the show
What the fuck’s up with that?

Hey girl, you’re wearing leggings
Lots of people think they’re not pants
But I think leggings are totally pants
Because I like to see your butt

The second stanza was less successful than the first, for the band was concerned that they would be brought in on sexual harassment charges.
     Hoss cared not, for she had looked upon the women of campus strolling about, lower extremities clad in nothing but elastic/polyesther blends, and she did not protest in her heart.

January 15, 2012
01/15/12 - Jam Session #2

The band met once more and practiced “Pumped Up Kicks” among other songs. Then MUCH MUCH MORE’s progress was suddenly impeded when, for the second time, Barry left as soon as his romantic interest came calling. The desolate remaining members composed a melancholy ballad as he left, Hoss singing,

Barry’s gonna make a sandwich
He’s gonna leave the band
His hunger dictates that he leave
And leave things out of hand

As the song progressed it transcended from silly specificity into epic acoustametal. “I’M JUDGING YOU!” Hoss screeched, “WITH MY UKULELE JUDGEMENT RAY!” And she saw that it was good.
     Following this, they explored such songs as “Say My Name” and “Straight Out of Compton,” which turned out very promising indeed. Barry returned with a retinue of the band’s mutual friends, and eventually they commenced to jam again. Hoss remembers none of this however, for verily they were stoned.

January 11, 2012
01/07/12 - Jam Session #1

The band met at Nat’s house, and they met for to JAM. Coffee flowed and incense iscented as untuned strings were corralled into submission. After a duration of three people playing three different things at once, the members of the band settled upon one song which they all knew well and longed to play. The simple chord progression of Foster the People’s “Pumped Up Kicks,” could be heard resounding feet, nay, YARDS from the house, the warmth of Nat’s bass line mixing with Abery’s gentle strum and Hoss’s mournful plucking to create what which could only be described as an acoustical, harmonious gallimaufry of sound.
     For hours they jammed. They moved on to other songs such as “I’m Just Your Problem,” “Double Rainbow,” “Nineteen,” and something by Beirut. Then the beginnings of an original song began to form, consisting of improvised non-chords such as G7-suspended-2, and improvised non-lyrics whose insistence upon assonance would offend the most wordy of songsters.
     Thus the jam session did proceed, and thus it did, indeed, succeed in fulfilling its purpose.